Jackie
Gibbs
Macclesfield
College
Foundation
Degree
Creative
Arts for
Employment
2013
Statement
of Intent for My Final Major Project
CAE
10: Creative Arts in Practice (Student Negotiated Brief)
Theme
“Sense of Place” (Relationship with the Environment)
Subject Areas;
Photography, Print, and a wide range of Mixed
Media
Section 1:
During my 2 year Foundation Degree I have
revisited some subject areas such as photography, printmaking, pen and wash, sketchbook
(for initial ideas), work, mixed media and Photoshop, which has enabled me to
become more proficient in these areas. I
have experimented with all aspects of media, but for this project my aim is to focus
on specific areas from the above as I think they will afford me the best
mediums for my final project. I have
decided this after looking at the mediums I work best with from previous
projects I have completed successfully. I
have developed a particular style that will in part fit well with the ideas I’ve
had so far, but I want to experiment more with mixed media and incorporate old
and new techniques for a final piece/s of art.
I am looking forward to this project but at the same time I’m
apprehensive too.
I have enjoyed completing my commission for Arighi
Bianchi’s using a mix of traditional and non-traditional methods of painting,
which I want to take further, as well as using photography, pencil sketching,
pen and wash and watercolour. I also
want to create layers using various mediums from my own photographs, which for
some I’d like to age giving a sense of place from a by-gone era, intaglio and
collograph printing too using various textures to create a sense of depth and
also as a way of bringing the foreground into the present. I will be using Photoshop to manipulate
images from my photographs that I can use on the final piece/s too.
Section 2:
I’m inspired by a great number of sources but
I’m mainly drawn to the natural landscape, which I intend to include as part of
my project, by introducing small oasis’s of green into my work. When transforming Manchester’s old mills and
giving them a new lease of life, they have included small gardens to soften the
harsh lines of the buildings and to inject a sense of tranquility not normally
found in a city centre.
I aim to use a fairly limited colour palette
of warm earth tones i.e. raw and burnt sienna and umber, red and yellow ochre,
and soft greens to reflect Manchester’s rich colours.
Artists such as Turner, Constable, Leonardo,
Caravaggio, Titian, Jackson, Keifer, James Naughton, Colin Halliday, Ingrid Karlson Kemp
and other mixed media contemporary artists, inspire me. I have researched in detail a multitude of mixed media techniques some which I will use and others i will save for future projects. I like the relationships between the past and
the present and how the changing faces of familiar places take us on a journey
of discovery. I find Manchester has
sympathetically modernized itself within keeping of the fine Victorian
architecture and it is this relationship with the environment that intrigues
me.
My long term aspirations after
successfully completing this course is to concentrate on the gallery I co-own
with Louise Knight, Carol Newton and Michelle Stringer called StudioFour
Gallery helping to raise its profile and be an accomplished artist, whilst
hopefully working as a tutor or in the art industry to help make this venture a
permanent fixture.
I now have a good understanding
of under painting, mixed media techniques, photography and printing, which will
stand me in good stead for this project.
I also want to experiment with new techniques and I will also research
old and new artists for inspiration, whilst refining my style. I aim to be more expressive with my approach
and techniques for this final project.
Section 3:
Personal Confirmatory Study: Aims &
Objectives
My aims for this project is to look at the
changing environment of Castlefield from the Industrial Revolution to the
present day looking at relationships between the landscape and the people who
lived and live there through experimentation and research both primary and
secondary. This will involve looking at
snapshots of specific time periods such as when it was a thriving social and
economic society, the decline of the use of canals and some railways to carry
produce to the regeneration of the old mills into prestigious apartments.
I have been particularly interested in 'Chiaroscuro' and 'the Golden Spiral or Golden Ratio as it's best known', which I want to develop. Chiaroscuro is the strong contrast between light and shadow and Golden Spiral or Golden Ratio of appears in mathematics and nature. I'm fascinated by how the great masters chose to show how intense the difference between light and shadow and whilst it draws the viewers eye it doesn't detract from the whole image. i can say the same for the Golden Ratio too. I aim to experiment with both these techniques in my sketchbook with a view to using it on my final work.
I have been particularly interested in 'Chiaroscuro' and 'the Golden Spiral or Golden Ratio as it's best known', which I want to develop. Chiaroscuro is the strong contrast between light and shadow and Golden Spiral or Golden Ratio of appears in mathematics and nature. I'm fascinated by how the great masters chose to show how intense the difference between light and shadow and whilst it draws the viewers eye it doesn't detract from the whole image. i can say the same for the Golden Ratio too. I aim to experiment with both these techniques in my sketchbook with a view to using it on my final work.
I will use photography, intaglio, z acryl and
collograph printing, mixed media, using my sketchbook to design experimental
pieces in acrylic, watercolour, sketching and pen and wash before deciding
which to take forward to the final outcome/s.
I will achieve this by sketchbook work and producing small canvases as a
prototype to reflect the past and present through applying layers of various
mediums. I will make notes on material I
have used and my theories about their application and result cross referencing
between my sketchbook and reflective journal.
I will look at artists analytically and theoretically to back up my
findings both in written form and practical work.
From photographs I’ve taken of Castlefield I
want to include some of the patterns and ornamental decoration I’ve seen on the
viaducts and bridges that I could incorporate in the form of print onto a mixed
media piece/s. This will help link in
the past and the present. I like the
idea of using the arches in print as a layer within the work and as a way of
projecting the link from the past, the present and the future. I see the bridges, viaducts, railways and
canals as the foundation from the Industrial Revolution to now and the future.
Foundations have a strong bond with society, material products like buildings,
personal items and in particular families.
My anticipated outcomes will consist of a
number of works in my sketchbook and canvases that will show my developments
that I will annotate in my sketchbook and discuss further in my reflective
journal, working towards possibly one or more large canvases. Using traditional to contemporary painting, a
series of photographs and various printing methods and mixed media, that will
reflect my research and also inspiration from different artists.
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I am a new up and coming mixed media artist currently studying my 2nd year at Macclesfield College on Creative Arts for Employment Foundation Degree.
Since April this year I share a Studio Workshop and Gallery space in Macclesfield with three of the students that are on the same course. We are all quite diverse from one another; one specialising in textile and embroidery, and the three remaining artists have all created our own techniques in mixed media.
We will eventually have guest artists exhibiting their work and we'll also be doing workshops so that we can share our knowledge to all ages.
My work is primarily centered on natural forms such as abstract flowers, landscapes, seascapes and ceramic work that is both textural and with the feeling of movement.
Colour has a strong influence on me and this is reflected in my work mainly strong and bright or subtle, however the mood or subject dictates. When looking around me for inspiration colour is the first thing that has a major impact on me with texture a close second. Due to colours influence on me this is the first thing I consider when starting a new project and then I decide if I'm going to add texture to the canvas, paper or board. I use photography, watercolour, acrylic, mixed media, printing & ceramics as a means to translate what I see. Some of my work is representative yet I also like to experiment with small compositions & paint abstract images from them. I use a wide range of media from tissue paper to tile grout in my acrylic & printing work to add texture & depth; this makes my work both visual & tactile.
I have been commissioned paintings & I'm available for more work.